You may have noticed the minor typographical
improvement I've added to this week's episode title. It's an exclamation mark.
I feel like Blake's 7 calls for exclamation marks: frankly, there should be one
at the end of the series title (and an apostrophe) but I will settle for one in
the title this week. And every week henceforth.
Justifiable
especially in this case, I think, because after a week on Earth and another in
a series of grey boxes, we've arrived at our first alien planet:
Cygnus Alpha!
Well,
it's unprepossessing, I must say. A bleak, quarry-like vista. Could this
perhaps be the beginning of a theme? I don't want to make too many presumptuous
statements, otherwise why watch the show at all – and it was still exciting to
see, even from space, looking like a great wintry blue moon.
Swirling
mists. Ghastly misshapen corpses. Beautiful silent women in long capes. A
mysterious fortress. Oh yes, this episode has it all.
Three
episodes in, and I still don't know who Blake's 7 are. I presume an assortment
of glamorous space pirate and arch computer hacking psychopath, and some of
those prisoners we rescued at the end of this episode. It would be nice if the
seventh member of the gang was a Jack Russell Terrier, like in Enid Blyton's
Famous Five (surely a direct inspiration to the series).
Maybe
a psychic Jack Russell Terrier?
But
whoever they are, they arrive separately on the remote prison planet of Cygnus
Alpha. (I wonder what happened to the Lunar Penal Colony with the blue silk
pyjamas, in Colony in Space? Or has
that not happened yet?) Vila
and Gan (who are definitely in the seven) have the worst of it, I think.
Poisoned and brainwashed into thinking they're dying of an incurable space
disease, there's a horrible moment when they say they can't leave the sinister
citadel and its medication. They look like they'll happily lynch lovable Roj
Blake, simply to stay alive in this grim hell-hole.
Meanwhile,
Blake's Two are up on their new spaceship, behaving like people who've just
arrived at an Air B'n'B holiday rental: they go through the cupboards, fiddle
with the Wi-Fi, experiment with the teleport and try on someone else's clothes
(what's all that about, with Jenny putting on some random blouse she's found?)
(and a nasty blouse, to boot).
This
aroused my interest. I always assumed the Liberator was some standard-issue bit
of human technology. After all, episode two shows it has the same squishy sofas
that Evil Morag was parked on in episode one. Instead, it's the mysterious
technology of an enigmatic people, mysteriously adrift in the depths of space.
It's not even called the Liberator until its wonderfully smug-sounding computer
makes telepathic contact with Jenna and reads her unconscious thoughts.
Basically,
Blake's 7 is a much more interesting
show than I ever gave it credit for. Is this ship from the future? Or does it
belong to a super advanced people – and this is the first contact with the
human race, having their spaceship stolen by three sarcastic vigilantes with
nice hair?
It's
also an opportunity for some more really lovely dialogue between the three
leads: 'Don't philosophise with me, you electronic moron!' 'I don't think it
likes you.' 'I may have to reprogram this machine.' 'That still won't make you
likeable!'
Once
the story-of-the-week gets going, things are a little less interesting,
especially for Blake who is strapped to a chair and shouted at by Brian
Blessed. Yes, Brian Blessed! Another reason for an extra exclamation mark! And
people told me I shouldn't get used to the dour, cerebral tone of the opening
episodes...
I
don't want to sound dopey (or like I wasn't paying attention), but exactly how long have Earth been using Cygnus
Alpha as their prison planet if Brian Blessed's family (The Blessed's, if you
will) have lived there for generations? Long enough to found the
society he refers to? What does this society do, besides knit capes? What do
they eat? Are there cornfields over the hill? Does Cygnus Alpha look nicer in
the light?
But
these are details. In fact, this whole episode – though it ends in a punch-up
and Blessed shouting himself to death – was promising. The interplay between
the leads is fun, the mystery of the ship is tantalising, the fact we can have
60s-style SF with telepathic spaceships side-by-side with a world of Hammer
Horror extras, is reassuring.
Maybe
we can risk pushing on – to Episode 4...!
No comments:
Post a Comment